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 Tema posta: Cannes 2014
PostPoslato: 16 Apr 2014, 08:29 
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idemo opet, sutra spisak. postavljajte postere i trejlere.

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 Tema posta: Re: Cannes 2014
PostPoslato: 16 Apr 2014, 10:16 
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velika faca Mastroianni

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 Tema posta: Re: Cannes 2014
PostPoslato: 17 Apr 2014, 11:25 
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2014 CANNES FILM FESTIVAL LINEUP

OPENER
“Grace of Monaco” (Olivier Dahan)

COMPETITION
“The Captive” (Atom Egoyan)
“Clouds of Sils Maria” (Olivier Assayas)
“Foxcatcher” (Bennett Miller)
“Goodbye to Language” (Jean-Luc Godard)
“The Homesman” (Tommy Lee Jones)
“Jimmy’s Hall” (Ken Loach)
“La Meraviglie” (Alice Rohrwacher)
“Leviathan” (Andrei Zvyagintsev)
“Maps to the Stars” (David Cronenberg)
“Mommy” (Xavier Dolan)
“Mr. Turner” (Mike Leigh)
“Saint Laurent” (Bertrand Bonello)
“The Search” (Michel Hazanavicius)
“Still the Water” (Naomi Kawase)
“Timbuktu” (Abderrahmane Sissako)
“Two Days, One Night” (Jean-Pierre and Luc Dardenne)
“Wild Tales” (Damian Szifron)
“Winter Sleep” (Nuri Bilge Ceylan)

OUT OF COMPETITION
“Coming Home” (Zhang Yimou)
“How to Train Your Dragon 2”
“Les Gens du Monde” (Yves Jeuland)

UN CERTAIN REGARD
“Amour fou” (Jessica Hausner)
“Bird People” (Pascale Ferran)
“The Blue Room” (Mathieu Amalric)
“Charlie’s Country” (Rolf de Heer)
“Dohee-ya” (July Jung)
“Eleanor Rigby” (Ned Benson)
“Fantasia” (Wang Chao)
“Harcheck mi headro” (Keren Yedaya)
“Hermosa juventud” (Jaime Rosales)
“Incompresa” (Asia Argento)
“Jauja” (Lisandro Alonso)
“Lost River” (Ryan Gosling)
“Party Girl” (Marie Amachoukeli, Claire Burger and Samuel Theis) (OPENER)
“Run” (Philippe Lacote)
“The Salt of the Earth” (Wim Wenders and Juliano Ribeiro Salgado)
“Snow in Paradise” (Andrew Hulme)
“Titli” (Kanu Behl)
“Tourist” (Ruben Ostlund)

MIDNIGHT SCREENINGS
“The Rover” (David Michod)
“The Salvation” (Kristian Levring)
“The Target” (Yoon Hong-seung)

SPECIAL SCREENINGS
“The Bridges of Sarajevo” (various directors)
“Eau argentee” (Mohammed Ossama)
“Maidan” (Sergei Loznitsa)
“Red Army” (Polsky Gabe)
“Caricaturistes – Fantassins de la democratie” (Stephanie Valloatto)

http://www.festival-cannes.fr/en/article/60533.html

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 Tema posta: Re: Cannes 2014
PostPoslato: 17 Apr 2014, 11:32 
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Opa, novi Zvyagintsev, to ce mi biti prvo sto cu pogledati od ovih filmova.

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 Tema posta: Re: Cannes 2014
PostPoslato: 18 Apr 2014, 11:28 
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[youtube]http://www.youtube.com/watch?v=s47PNjsKHjU[/youtube]

[youtube]http://www.youtube.com/watch?v=7xYav--slEg[/youtube]

[youtube]http://www.youtube.com/watch?v=OL4tTtSziO8[/youtube]

[youtube]http://www.youtube.com/watch?v=kCFaTffMMeE[/youtube]

[youtube]http://www.youtube.com/watch?v=J3uiix644HY[/youtube]

[youtube]http://www.youtube.com/watch?v=zy2Zk196uYM[/youtube]

[youtube]http://www.youtube.com/watch?v=z13AgabYloA[/youtube]

[youtube]http://www.youtube.com/watch?v=Z9a4PvzlqoQ[/youtube]

[youtube]http://www.youtube.com/watch?v=ChM2icbWo9w[/youtube]

[youtube]http://www.youtube.com/watch?v=kZxiPwGjqAE[/youtube]

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 Tema posta: Re: Cannes 2014
PostPoslato: 18 Apr 2014, 12:59 
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Ovo mi se dopada vec po trejleru
gnusni_snjesko je napisao:
[youtube]http://www.youtube.com/watch?v=kCFaTffMMeE[/youtube]


Wtf :D
gnusni_snjesko je napisao:
[youtube]http://www.youtube.com/watch?v=OL4tTtSziO8[/youtube]

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It ́s better to die on your feet than live on your knees.
Opet je gužva pred kontejnerom...
Imbecili i debili ogroman je zbir, moj glas danas odlazi u manastir
I grieve in stereo, the stereo sounds strange, I know that if you hide, it doesn't go away


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 Tema posta: Re: Cannes 2014
PostPoslato: 18 Apr 2014, 13:07 
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Kronenberg i Azija Ardjento bi trebalo da valjaju, ostalo me manje vise i ne zanima, mozda TLJ i Godard


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 Tema posta: Re: Cannes 2014
PostPoslato: 18 Apr 2014, 13:20 
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@A.J.V.A.R. - JLG izgleda kao kad se u nekoj losoj americkoj komediji hoce posprdati sa arty filmovima pa neki nadobujni reditelj napravi ovako neki trejler :-?

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 Tema posta: Re: Cannes 2014
PostPoslato: 18 Apr 2014, 13:31 
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Slobodno reci: A.J.V.A.R. nemas filmskih manira ni obrazovanja kad gledas svakakvo smece :D.
Bez obzira na napisano i insinuirano, me still like :D.

_________________
It ́s better to die on your feet than live on your knees.
Opet je gužva pred kontejnerom...
Imbecili i debili ogroman je zbir, moj glas danas odlazi u manastir
I grieve in stereo, the stereo sounds strange, I know that if you hide, it doesn't go away


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 Tema posta: Re: Cannes 2014
PostPoslato: 18 Apr 2014, 14:13 
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Egoyan je u ozbiljnoj silaznoj putanji sto se kvaliteta tice ali nekako se uzdam u ovaj novi, prvenstveno zato sto znam da je strasno dobar reditelj i nadam se da ce se vratiti kvalitetu za koji znam da moze, sa Assayasom nikada nisam bio na cisto i ne zanima me preterano ni ovaj film,a tako je i sa Millerom, njegov ''Cruise'' je bio zabavan dok je ovo ostalo talasika... novi Godard je vjerovatno jedini film sa ove liste za koji sam skoro pa 100% siguran da ga necu pogledati. Tommy Lee Jones film izgleda kao Tommy Lee Jones film sto je u ovom slucaju dobro posto je njegov debitantski ''Three Burials of Melquiades Estrada'' bio dosta dobar, cemo da vidimo... Ken Loacha nikada nisam mogao iako je neosporivo dobar reditelj... je l' vidim pokislu djecu u filmu znam da je Loach, je l' neka djeca guraju bicikle znam da su Dardenni, je l' ne znam ko pjeva domacu pjesmu znam da je Aleksandra Radovic... novi Zvyagintsev me raduje koliko god moze da raduje covjeka nesto sto ce da ga sjebe... volio bi da novi Cronenberg bude vise kao stari Cronenberg ali ako je trejleru vjerovati to se nece desiti... o Dolanu ni sam ne znam sta da mislim...Mike Leigh je verzija Ken Loacha koja mi vise odgovara tako da kontam kako ce i ovaj novi biti zabavan... Bonello je poceo sa provakatorskim fazonim, u zadnje vrijeme ih je dobro stilizovao, sada u novom fimu izgleda da je ostao stil bez provokacije...dok ima trave i sume po Japanu bice i Naomi Kawase,a dok je nje bice je i u Kanu... Ceylan je uvijek jedan od glavnih favorita nevezano za film ali ja njegove filmove volim tako da me i novi dosta zanima.

drago mi je sto je i novi Zhang Yimou na festivalu iako nije imao dobrog filma vec godinama, Rolf de Heer mozda ubode super film, ne bi mu bio prvi, od Michoda ocekujem u najmanju ruku pristojan film. Loznitsa se vraca dokumentarcima, na srecu ili na zalasto obzirom da zadnji put kada je bio u Kanu sa igranim filmom to je bio jedan od najboljih filmova na festivalu u zadnjih 20ak godina.

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 Tema posta: Re: Cannes 2014
PostPoslato: 18 Apr 2014, 14:14 
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[youtube]http://www.youtube.com/watch?v=8dscHoAlK0s[/youtube]

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 Tema posta: Re: Cannes 2014
PostPoslato: 18 Apr 2014, 16:04 
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gnusni_snjesko je napisao:
Egoyan je u ozbiljnoj silaznoj putanji sto se kvaliteta tice ali nekako se uzdam u ovaj novi, prvenstveno zato sto znam da je strasno dobar reditelj i nadam se da ce se vratiti kvalitetu za koji znam da moze, sa Assayasom nikada nisam bio na cisto i ne zanima me preterano ni ovaj film,a tako je i sa Millerom, njegov ''Cruise'' je bio zabavan dok je ovo ostalo talasika... novi Godard je vjerovatno jedini film sa ove liste za koji sam skoro pa 100% siguran da ga necu pogledati. Tommy Lee Jones film izgleda kao Tommy Lee Jones film sto je u ovom slucaju dobro posto je njegov debitantski ''Three Burials of Melquiades Estrada'' bio dosta dobar, cemo da vidimo... Ken Loacha nikada nisam mogao iako je neosporivo dobar reditelj... je l' vidim pokislu djecu u filmu znam da je Loach, je l' neka djeca guraju bicikle znam da su Dardenni, je l' ne znam ko pjeva domacu pjesmu znam da je Aleksandra Radovic... novi Zvyagintsev me raduje koliko god moze da raduje covjeka nesto sto ce da ga sjebe... volio bi da novi Cronenberg bude vise kao stari Cronenberg ali ako je trejleru vjerovati to se nece desiti... o Dolanu ni sam ne znam sta da mislim...Mike Leigh je verzija Ken Loacha koja mi vise odgovara tako da kontam kako ce i ovaj novi biti zabavan... Bonello je poceo sa provakatorskim fazonim, u zadnje vrijeme ih je dobro stilizovao, sada u novom fimu izgleda da je ostao stil bez provokacije...dok ima trave i sume po Japanu bice i Naomi Kawase,a dok je nje bice je i u Kanu... Ceylan je uvijek jedan od glavnih favorita nevezano za film ali ja njegove filmove volim tako da me i novi dosta zanima.

drago mi je sto je i novi Zhang Yimou na festivalu iako nije imao dobrog filma vec godinama, Rolf de Heer mozda ubode super film, ne bi mu bio prvi, od Michoda ocekujem u najmanju ruku pristojan film. Loznitsa se vraca dokumentarcima, na srecu ili na zalasto obzirom da zadnji put kada je bio u Kanu sa igranim filmom to je bio jedan od najboljih filmova na festivalu u zadnjih 20ak godina.


besposlica je majka svakog zla :D

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 Tema posta: Re: Cannes 2014
PostPoslato: 18 Apr 2014, 21:04 
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ruke ti se pozlatile snješko za ove trejlere.

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 Tema posta: Re: Cannes 2014
PostPoslato: 21 Apr 2014, 11:52 
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Egoyan me zanima prvenstveno zbog toga da vidim kako će iznijeti missing child film, odnosno šta mu može dati što drugi nisu. Tek sam sada pogledao trailere i nikako mi nije jasno ovo što je Godard snimio? Ja ću istoriji prepustiti i Cronenberga, posljednja dva razočarenja su bila suviše velika da si dozvolim još jedno, mislim da to čak ni Juliane Moore ne može da izvuče, ako uopšte ima šta da se izvlači. Zanimljiv je trailer za Tommy Lee Jonesa, to ću pogledati, Nuri Bilge Ceylan mi nikako ne sjeda tako da neću, što će reći da se i ja, kao i većina, najviše radujem novom Zvyagintsevom filmu.

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 Tema posta: Re: Cannes 2014
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Slika

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 Tema posta: Re: Cannes 2014
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Directors' fortnight

Bande de Files dir: Céline Sciamma (opening film)
Pride dir: Matthew Warchus (closing film)
Alleluia dir: Fabrice Du Welz
Catch Me Daddy dir: Daniel Wolfe
Next to Her dir: Asaf Korman
Cold in July dir: Jim Mickle
Fighters dir: Thomas Cailley
Gett — The Trial of Viviane Amsalem dir: Ronit & Shlomi Elkabetz
Kaguya-Hime No Monogatari dir: Isao Takahata
Eat Your Bones dir: Jean-Charles Hue
A Hard Day dir: Seong-Hun Kim
National Gallery dir: Frederick Wiseman
Queen and Country dir: John Boorman
Refugiado dir: Diego Lerman
These Final Hours dir: Zach Hilditch
Tu Dors Nicole dir: Stéphane Lafleur
Whiplash dir: Damien Chazelle

SPECIAL SCREENINGS
Li'l Quinquin dir: Bruno Dumont
The Texas Chainsaw Massacre dir: Tobe Hooper
International critics' week

Darker Than Midnight dir: Sebastiano Riso
The Tribe dir: Miroslav Slaboshpytskkiy
It Follows dir: David Robert Mitchell
Gente de Bien dir: Franco Lolli
When Animals Dream dir: Jonas Alexander Amby Denmark
Hope dir: Boris Lojkine
Self Made dir: Shira Geffen

SPECIAL SCREENINGS
Making Love (Faire: L'amour) dir: Djinn Carrénard (opening film)
Breathe dir: Mélanie Laurent
The Kindergarten Teacher dir: Nadav Lapid
Hippocrate dir: Thomas Lilti (closing film)

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 Tema posta: Re: Cannes 2014
PostPoslato: 12 Maj 2014, 13:10 
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CANNES CLASSICS

PER UN PUGNO DI DOLLARI / A FISTFUL OF DOLLARS / POUR UNE POIGNEE DE DOLLARS by Sergio Leone (1964, 1h40)
To celebrate the birth in 1964 of the Italian western, the Cinematheque of Bologna will present the film restored in 4K by L’Immagine Ritrovata of A FISTFUL OF DOLLARS directed by Sergio Leone in 1964 with Clint Eastwood and Gian Maria Volonte. Restoration carried out by Cineteca di Bologna and Unidis Jolly Film at L'Immagine Ritrovata laboratory. Funding provided by the Hollywood Foreign Press Association and The Film Foundation.
The screening has been made possible by the right holders: the Paladino family and Unidis Jolly Film, which produced and distributed the film. Thanks to the Leone family.


Thirty years old for PARIS, TEXAS by Wim Wenders (1984, 2h25)

Awarded by the President of the Jury Dirk Bogarde and handed out on stage by Faye Dunaway, the Palme d’or of Paris,Texas is thirty years old. Wim Wenders will be back on the Croisette (besides his selection at Un Certain Regard with THE SALT OF THE EARTH) with a new print of PARIS, TEXAS. After The Umbrellas of Cherbourg by Jacques Demy, Under the Sun of Satan by Maurice Pialat or The Leopard by Luchino Visconti, the Festival de Cannes shows restored copies of its Palmes d’or.
HD Transfer done at Deluxe Laboratory in New York, supervised by Wim Wenders, and Spirit Scan made at the German laboratory CinePost Production. Digital transfer made by Criterion.


REGARDS SUR UNE REVOLUTION : COMMENT YUKONG DEPLAÇA LES MONTAGNES by Marceline Loridan et Joris Ivens (1976, 1h11)
A presentation by Marceline Loridan and the Archives françaises du film of the CNC.
Digital restoration was carried out from the 2K scan of the 16mm negatives. Scans and restorations were carried out by the laboratory of CNC Bois d'Arcy. Coulor grading and finishes have been made by the Eclair laboratory.

CRUEL STORY OF YOUTH (SEISHUN ZANKOKU MONOGATARI) by Nagisa Oshima (1960, 1h32)
A presentation by Shochiku studio.
The digital restoration was performed in by 4K Shochiku Co., Ltd. under the supervision of Takashi Kawamata, cameraman of Nagisa Oshima. The film will be distributed in France by Carlotta.


WOODEN CROSSES (LES CROIX DE BOIS) by Raymond Bernard (1931, 1h55)

Presented by Pathé and the Fondation Jérôme Seydoux – Pathé.
The film was scanned and restored in 4K by the laboratory L'Immagine Ritrovata Bologna. Restoration carried out by Pathé.


OVERLORD by Stuart Cooper (1975, 1h24)

A restoration presented by The Criterion Collection (New York).
HD Digital transfer supervised by director Stuart Cooper from a new 35mm fine-grain master. Mono sound now in 24 bits.


ANGST (LA PEUR) by Roberto Rossellini (1954, 1h23)

Within the framework of the Rossellini project, a restoration made in 4K by L’Immagine Ritrovata in Bologna.
Cannes Classics has been welcoming since 2011 the ambitious Italian project, The Rossellini Project, from the collaboration between Instituto Luce Cinecittà, Cineteca di Bologna, CSC-Cineteca Nazionale and Coproduction Office (in charge of international sales). After presenting La Macchina Ammazzacattivi (La Machine à tuer les méchants, 1948) and Viaggio In Italia / Journey To Italy (Voyage en Italie, 1954), please find Angst / La Paura by Roberto Rossellini.
Print restored by Cineteca di Bologna, CSC - Cineteca Nazionale, Istituto Luce Cinecittà, Coproduction Office at L'Immagine Ritrovata laboratory.



BLIND CHANCE (PRZYPADEK) by Krzysztof Kieślowski (1981, 1h57)

A presentation by the Polish Film Institute.
Restoration carried out in 2K with the color framing supervised by the director of photography.


THE LAST METRO (LE DERNIER METRO) by François Truffaut (1980, 2h21)

Presented by MK2 and the Cinémathèque française with the support of the French and American Fund on the occasion of the thirty years of François Truffaut’s passing away.
The original negative was scanned in 4K and restored frame by frame by 2K Digimage laboratory. Restoration and color framing were supervised by DP Guillaume Schiffman.


DRAGON INN (龍門客棧) by King Hu (1967, 1h51)

A presentation of the Chinese Taipei Film Archive.
Digital restoration made in 4K by the L’Immagine Ritrovata in Bologna from the negative. The director of photography has supervised the color framing.


DAYBREAK (LE JOUR SE LEVE) by Marcel Carné (1939, 1h31)

Restoration 4K presented by Studio Canal.
Work on the images made by Eclair, sound restored by Diapason in partnership with Eclair.


COLOR OF THE POMEGRANATE (SAYAT NOVA) by Sergei Parajanov (1968, 1h17)

Restoration financed by the Film Foundation-World Cinema Project (New York) and made in 4K by L’immagine Ritrovata.


LEOLO by Jean-Claude Lauzon (1992, 1h42)

A presentation of « Éléphant, mémoire du cinéma québécois. »
Digital restoration made in 2k from the original negative, sound restored by the Cinémathèque québécoise. Technical services: Technicolor, creative services: Marie-José Raymond et Claude Fournier for Éléphant.


GRACIOUS LIVING (LA VIE DE CHATEAU) by Jean-Paul Rappeneau (1965, 1h30)

Presented by TF1 DA.
Film restored in 2K at Mikros from the original negative, with a restoration of the stock shots. Color framing realized in collaboration between Jean-Paul Rappeneau and Pierre Lhomme, director of photography. Restoration of Michel Legrand’s music by Stéphane Lerouge.


JAMAICA INN (LA TAVERNE DE LA JAMAÏQUE) by Alfred Hitchcock (1939, 1h40)

A presentation of the Cohen Film Collection LLC.
Digital restoration in concordance with the BIFI made in 4K by 4K RRsat Europe – Ray King and Anthony Badger Finishing Post Productions Ltd – Jason Tufano and Marc Bijum.


LES VIOLONS DU BAL by Michel Drach (1974, 1h44)

Restoration Silverway Média. Financing by Port-Royal Films with the CNC and the support of the Fondation pour la Mémoire de la Shoah.


BLUE MOUNTAINS (LES MONTAGNES BLEUES) by Eldar Shengelaia (1983, 1h31)

A presentation of the Georgian National Film Center.
The digitalization of the image and the sound was made from the original negative in 4K par Gosfilmfond Russia.


LOST HORIZON (HORIZONS PERDUS) by Frank Capra (1937, 2h12)

A presentation of Park Circus in a digital print restored in 4k by Sony Pictures Colorworks. Park Circus will release the film in 2014.

THE BITCH (LA CHIENNE) by Jean Renoir (1931, 1h35)
Film presented by Les Films du Jeudi and the Cinémathèque française with the support of the CNC and the help of the Fonds Culturel Franco-Américain (DGA – MPA – SACEM – WGAW).
Restoration in 2K (from a 4K scan) made by Digimage Classics and sound restoration by Diapason.

TOKYO ORINPIKKU (TOKYO OLYMPIAD) by Kon Ichikawa (1965, 2h50)
A presentation of the International Olympic Committee.
The film was digitally restored in 4K from the original film elements for the International Olympic Committee by Warner Bros. Motion Picture Imaging and Audio Mechanics in Burbank, USA.


Also two documentaries about cinema:

LIFE ITSELF by Steve James (2014, 1h58): the life and journey of Roger Ebert, great American film critic.

THE GO-GO BOYS: THE INSIDE STORY OF CANNON FILMS by Hilla Medalia (2014, 1h30): the story of Cannon Films and the producers Menahem Golan and Yoram Globus, who will be present.


At last 8½ (1963, 2h13) restored by Gaumont and Eclair will be screened as the opening film of the Cinéma de la plage to give an echo to the poster of the 67th Festival de Cannes and pay a tribute to Marcello Mastroianni.

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a bog te jebo

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